Andrew Kaufman

422 Andrew Kaufman: the Woman Who Saved Dostoyevsky

About Andrew Kaufman

Andrew D. Kaufman is an Associate Professor, General Faculty, Lecturer in Slavic Languages and Literatures, and Assistant Director of the Center for Teaching Excellence at the University of Virginia.

A Ph.D. in Slavic languages and literature from Stanford University, Kaufman is the author of GIVE ‘WAR AND PEACE’ A CHANCE: Tolstoyan Tolstoyan Wisdom for Troubled Times and UNDERSTANDING TOLSTOY, and a co-author of RUSSIAN FOR DUMMIES.

His work has been featured on Today, NPR, and PBS, and in The Washington Post, and he has served as a Russian literature expert for Oprah’s Book Club.

Kaufman is the creator of Books Behind Bars, introducing incarcerated youth to the writings of Dostoyevsky and other authors.

Where to find Andrew

Andrew’s website
Twitter

The Gambler Wife: A True Story of Love, Risk, and the Woman Who Saved Dostoyevsky

In the fall of 1866, a twenty-year-old stenographer named Anna Snitkina applied for a position with a writer she idolized: Fyodor Dostoyevsky. A self-described “emancipated girl of the sixties,” Snitkina had come of age during Russia’s first feminist movement, and Dostoyevsky—a notorious radical turned acclaimed novelist—had impressed the young woman with his enlightened and visionary fiction. Yet in person, she found the writer “terribly unhappy, broken, tormented,” weakened by epilepsy, and yoked to ruinous gambling addiction. Alarmed by his condition, Anna became his trusted first reader and confidante, then his wife, and finally his business manager—launching one of literature’s most turbulent and fascinating marriages.

The Gambler Wife offers a fresh and captivating portrait of Anna Dostoyevskaya, who reversed the novelist’s freefall and cleared the way for two of the most notable careers in Russian letters—her husband’s and her own. Drawing on diaries, letters, and other little-known archival sources, Andrew Kaufman reveals how Anna warded off creditors, family members, and her greatest romantic rival, keeping the young family afloat through years of penury and exile. In a series of dramatic set pieces, we watch as she navigates the writer’s self-destructive binges in the casinos of Europe—even hazarding an audacious turn at roulette herself—until his addiction is conquered. And, finally, we watch as Anna frees her husband from predatory contracts by founding her own publishing house, making Anna the first solo female publisher in Russian history.

The result is a story that challenges ideas of empowerment, sacrifice, and female agency in nineteenth-century Russia—and a welcome new appraisal of an indomitable woman whose legacy has been nearly lost to literary history.

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